Test Run for Bespoke VO Studio – Nearly at full power, already working well.

This is my test run for the new bespoke VO studio. Just a few more tiles and I am ready to go. Just working through my script, camera angles and checking out the sound floor.

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A visualisation by Chat of my studio and sound as light waves in a bespoke Vo studio.
A visualisation by Chat of my studio and sound as light waves

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For Nerds only – thought I would ask Chat to give me a little talk …

Preventing Reverb: Essential Tools and Designs for Bespoke VO Studios

Reverberation (or reverb) is a natural acoustic effect that occurs when sound waves reflect off surfaces before reaching the listener. While reverb can add depth to music recordings, it is generally undesirable in voice-over work, where clarity and directness are crucial. To prevent reverb in a voice-over studio, various materials, equipment, and design strategies are implemented.

1. Acoustic Panels

With bespoke VO studios, acoustic panels are among the most effective ways to control reverb. Made from high-density foam, fiberglass, or fabric-wrapped materials, these panels absorb sound waves instead of allowing them to bounce around the room. Strategic placement on walls, particularly at reflection points, minimizes unwanted echoes and enhances vocal clarity.

2. Bass Traps

Bass traps are a specialized form of acoustic treatment designed to absorb low-frequency sound waves. Since bass frequencies tend to linger longer and create muddiness in recordings, placing bass traps in corners helps reduce low-end reverberation. This is particularly useful in smaller studios where standing waves can be a problem.

3. Diffusers

Unlike absorptive materials, diffusers work by scattering sound waves in multiple directions, preventing them from forming strong reflections while maintaining a natural sound. While voice-over studios typically prioritize absorption, diffusers can be useful for maintaining a balanced room tone without making the space sound overly “dead.”

4. Soundproofing vs. Sound Treatment

Though often confused, soundproofing and sound treatment serve different purposes. Soundproofing involves blocking external noise (e.g., using mass-loaded vinyl, double walls, or door seals), while sound treatment focuses on controlling internal acoustics to prevent reverb. A well-designed studio typically integrates both approaches for optimal recording conditions.

5. Carpet and Rugs

Hard flooring materials like tile and wood contribute to reverb, while soft surfaces like carpets and rugs absorb sound. Many voice-over professionals install thick carpets or area rugs beneath their recording space to minimize reflections from the floor. A simple yet effective solution, this helps create a more controlled acoustic environment.

6. Ceiling Clouds

Since ceilings are another major reflective surface, ceiling clouds (hanging acoustic panels) help absorb sound from above. These are particularly useful in rooms with high ceilings, where echoes can be more pronounced.

7. Vocal Booths and Reflection Filters

For those unable to modify an entire room, portable vocal booths and reflection filters offer targeted reverb control. Vocal booths, whether custom-built or commercially available, provide a fully enclosed space for recording, isolating the voice from room reflections. Reflection filters, which mount behind the microphone, absorb reflections before they reach the mic, providing an affordable and flexible solution for small spaces.

8. Furniture and Soft Materials

Bookshelves, couches, curtains, and other soft furnishings naturally absorb sound and can help prevent excessive reverb. A well-furnished room with a mix of materials often performs better acoustically than an empty space with hard surfaces.

9. Proper Mic Placement

While room treatment is vital, microphone technique also plays a role in minimizing reverb. Positioning the mic closer to the speaker (while maintaining proper distance to avoid plosives) reduces the pickup of reflected sound, ensuring a cleaner recording.

Conclusion

Minimizing reverb is crucial for achieving professional-quality voice-over recordings. By implementing acoustic treatment solutions like panels, bass traps, and ceiling clouds, and integrating soft materials and strategic mic placement, voice-over artists can create an environment that prioritizes vocal clarity. Whether working in a professional studio or a home setup, controlling reverb ensures that recordings sound polished, professional, and free of distracting echoes.

1 thought on “Test Run for Bespoke VO Studio – Nearly at full power, already working well.”

  1. Pingback: Mandlebrot in the VO Studio ? - Eric's Voice Overs Uk

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